Showing posts with label Author. Show all posts
Showing posts with label Author. Show all posts

Tuesday, October 4, 2016

   
If you live in Ohio, Tracie Peterson is coming your way with Kimberley Woodhouse in October. Thebook tour is the 11th-21st. Here's a list of the places they will be, so put it on your calendar if you live in the area. 

Oct 11 Lifeway Christian Bookstore in Cincinnati at 1pm
Inner Blessings Christian Books and Gifts, Cincinnati 4pm

Oct 12 Highland County Dist. Library, Hillsboro 1pm
Jackson City Library, 6pm

Oct 13 Praises Book Store, Chillicothe 1pm
Fairfield County Dist. Library, Lancaster 6pm

Oct 14 Pickerington Library, Pickerinton Noon
Guernsey County Library, Cambridge 3pm

Oct 15 Tuscarawas County Public Library, New Philadelphia 10 am
Gospel Bible Store, Berlin 2 pm

Oct 16 - Sunday no events

Oct 17 The Gospel Shop, Sugarcreek 10 am
Gospel Christian Life Shop, Mount Vernon 2pm

Oct 18 Lifeway Christian Store, Columbus North 10am
Plain City Public Library, Plain City 6pm

Oct 19 Lighthouse Christian Bookstore, Marysville 2pm

Oct 20 Beacon of Hope, Springfield 1pm

Oct 21 Piqua Public Library, Piqua 10:30
Bread of Life Christian Bookstore, Greenville 2pm

Tuesday, January 13, 2015

Historical writers love it when their research reveals a truth that is stranger than fiction…unless the truth they discover is one of their own buried secrets. 

A few months ago, I was deep into the edits of Return to Exile, the second book in my Carthage Chronicles series. The plague in third-century Carthage was ramping up. People were dying. My frantic heroine, Dr. Lisbeth Hastings, didn’t know what to do. 

I was editing a paragraph about measles (the mysterious malady I’d chosen to inflict upon the inhabitants of this series and had researched meticulously) when it suddenly hit me. Staring at the computer screen, I broke out in a sweat.

I was writing about a virus I’d had as a child … and I had almost died. How could I have forgotten?

Suddenly, I was eight years old, lying on the couch and burning up with fever in our drafty old Kansas farmhouse. The sights, sounds, smells, even the foul, wet-chicken-feather taste of my blister-coated tongue came rushing back. Every lost detail was now painfully vivid.  

It was Christmas Eve. In the corner the blue lights of the tree twinkled. My mother and grandmother hovered around me. They placed a cool cloth on my forehead and tried to coerce me into drinking hot tea. Deep racking coughs ripped from my raw throat. I struggled for air but couldn’t catch my breath. Mom plastered menthol rub all over my chest while my grandmother constructed a breathing tent she made from an old sheet draped over some stretched-out coat hangers. All night my family boiled water on the stove, carried the hot pot to my bedside, and fanned the steam toward me. I could hear the adults discussing whether or not I should be taken to the hospital. I remember my mother’s frantic voice. I remember being very afraid.

How could I have blocked this memory from my mind? Even more unsettling: how could I have written nearly 300,000 words about this deadly virus and NOT remember something this traumatic? The implications left me shaking. What other memories or feelings were buried deep inside of me?

As I writer, my job is to go deep into the minds and memories of my characters; to discover their secrets and capitalize upon their fears. This incident, however, taught me an important lesson: all of my characters carry a little part of me. My fears, my dreams, my flaws show up as various traits in them. For example, in Return to Exile, Dr. Lisbeth Hastings is desperate to save those dying of measles. As I was writing, I could hear the panic in her voice. Without access to modern medicine, what could she do? In a last ditch effort, Lisbeth and her mother built vaporizer tents and placed warm poultices on the chests of those struggling to breathe. Now I know where I got the idea to research homespun medical remedies. I know why I could see the little vaporizer tents in my head.

Curious if I’d plagiarized any other memories from my past, I carefully searched my Return to Exile manuscript. I discovered the bull chase scene is fraught with the exact same terror I experienced growing up on a dairy farm. The one animal I knew to avoid was the bull. Holstein bulls have dangerous temperaments and a reputation for causing serious injuries. One day I went to the pasture to herd the cows in for milking.  Less than a hundred yards away, our bull issued a deep, braying bellow that scattered the herd. His head went down and in a split second 2,000 pounds of pure aggression charged straight at me.

I turned and scrambled toward the fence. I don’t remember how I did it but I managed to shinny up those wooden slates and hurl myself over the top board. I fell to the other side a split second before the bull’s massive head hit the fence with the force of a freight train. I stood totally paralyzed and unable to move as he rammed the fence again and again. 

An author’s experiences and memories can’t help but show up in their stories. We bring our pasts with us. This revelation into my past has taught me two important writing lessons. First, as a writer I must dig deep into my past and discover the secrets buried in my memories. Second, I can’t be afraid to live and experience new things. They are exciting fodder for future characters.


Lynne Gentry has written for numerous publications and is a professional acting coach and playwright with several full-length musicals to her credit. She likes to write stories that launch modern women into ancient adventures, such as Healer of Carthage (2014), which was the first in The Carthage Chronicles series. Return to Exile is the second, and Valley of Decision is expected September 22, 2015. Gentry loves spending time with her family and medical therapy dog.


To keep up with Lynne Gentry, visit www.lynnegentry.com, become a fan on Facebook (Author-Lynne-Gentry) or follow her on Twitter (@Lynne_Gentry), YouTube and Pinterest (lynnegentry7).

Monday, December 15, 2014

Robert Louis Stevenson and Mark Twain once sat on a bench in Washington Square to enjoy an hour's conversation. 
"Can you name the American author whose fame and acceptance stretch widest and furthest in the States?" Stevenson posed the question to the famous author at his side.
Twain believed he knew, but modesty prevented him from answering.
Stevenson quickly burst Twain's bubble, for it wasn't the beloved author. Stevenson then explained how he discovered the most famous author at a bookshop in Albany that displayed a large number of little books written by the same author, Davis. (Twain didn't recall the first name of the author.) All the books were compilations with a brief chapter of introduction written by Davis. Such titles as Davis's Selected Poetry and Davis's Selected Speeches were cheaply yet neatly bound. 
Not recognizing the author, Stevenson asked the bookseller about him. It astonished the well-known author to find that the books sold so well that it required freight trains rather than baskets to carry them.
Stevenson's lack of knowledge about the multi-published author didn't surprise the shopkeeper. He explained that no one had heard of Davis for his name didn't appear in print or advertisement as such publicity didn't appeal to him. Davis's books would never rise to the top; one must put on diving gear and plunge to starvation wages where the compilations were found by millions of readers. The author who sells to that market will make his fortune for these readers remain loyal. According to the bookseller, once a writer becomes a favorite in this market, his or her books will always be preferred for the fans pay little attention to reviews. They simply know what they love.
On the other hand, well-known authors must worry about reviews and the weather on the top, for winds of slander may blow and hammer away at their good name.
Stevenson and Twain discussed this kind of submerged fame and decided to call it submerged renown. Authors with submerged renown affect a great number of people they never meet or speak to, but who read their books and develop a fondness for the writers. These readers don't criticize or listen to the criticism of others for the author has found a place in their hearts.
This pair of famous, well-loved authors agreed that this type of fame was best of all. 
In this day of social media, where publishers insist on authors building a platform and getting their name into the public arena, many may feel this is no longer valid. It is frequently stated that no one will find an author's book without publicity.
Or perhaps those readers Stevenson and Twain determined to strive for will find the best of authors and books anyway.

It's definitely food for thought.


Sandra Merville Hart loves to find unusual facts in her historical research to use in her stories. She and her husband enjoy traveling to many of the sites in her books to explore the history. She serves as Assistant Editor for DevoKids.com and is a contributor for a collection of stories about answered prayer in Jesus Encounters, (Spring, 2015.) She has written for several publications and websites.





Find Sandra here:

http://devokids.com/category/stories/adventures-in-history/
http://www.barndoorbookloft.net/
Facebook: https://www.facebook.com/sandra.m.hart.7
Pinterest: http://www.pinterest.com/sandramhart7/
Goodreads: https://www.goodreads.com



 You may purchase the book at:

Amazon: http://www.amazon.com/Stranger-My-Land-Sandra-Hart/dp/1941103278/ref=sr_1_1?s=books&ie=UTF8&qid=1405606746&sr=1-1&keywords=A+Stranger+on+my+land.

Barnes & Noble: http://www.barnesandnoble.com/w/a-stranger-on-my-land-sandra-merville-hart/1120155194?ean=9781941103272.

Tuesday, December 9, 2014

I love the Protestant Reformation (keep reading because it gets better), partially for non-theological reasons.

My devotion exceeds Luther, Calvin, Knox, or Tyndale. I include da Vinci, Galileo, and Copernicus as well, men whose revolutionary ideas enriched a sixteenth-century world barreling from the restrictions of the Middle Ages into the light of the Renaissance. 

Courage and intellect created counter-cultural heroes then. And those traits define my protagonist, archaeologist Grace Madison, in the first two books of the Parched series: When Camels Fly (May 2014) and The Brothers’ Keepers (November 2014).

When I began percolating about The Brothers’ Keepers, Grace’s character, and the seminary backgrounds of the troupe of octogenarian theologians who assist her and her family, led my thoughts to the Reformation. I admit that I went willingly.

The Brothers’ Keepers is a tale of international suspense: theologically sound and scientifically correct. It is liberally sprinkled with Grace’s warped humor and slight sarcasm, and extolls contemporary family dynamics—in a family not unfamiliar with espionage and danger. 

It opens in Brussels, when Grace learns that her beloved daughter Maggie has disappeared in France, and that her son’s bride has been attacked in Switzerland. In a five-star review of When Camels Fly, one reader described Grace as a Mama Bear protecting her cubs. Her growl from Belgium in the opening chapter of The Brothers’ Keepers resonates around the globe, attracting family and friends to Paris to begin the search for Maggie. 

Grace inspires that kind of devotion as a vigorous, joyful woman trying to live fully in the image of Christ. 

Maggie inspires devotion of a different sort. As the object of affection from two very dissimilar young men, her professional success as a hydrologist balances her epic failure as a sweetheart. Will she accept the repeated proposals of the all-American who is as loyal as a drooling golden retriever? Or will the handsome sayan (helper) for Mossad break through her Herculean defense mechanisms to win her heart? And where in the world is she, anyway?

“The nut didn’t fall far from the tree,” Grace’s husband Mark says of the mother and daughter, and Grace has heart issues of her own. She and Mark are working to rebuild a thirty-year marriage after growing apart. The healing process complicates life-threatening situations in When Camels Fly and The Brothers Keepers, but reveals the devotion they still share.

Using clues Maggie has left at the American Church in Paris, where she was last seen, the Madisons pick up the trail of an ancient relic that they hope will save her life. The desperate journey crosses four centuries and three continents. Difficult choices endanger everyone the family and their friends love, and compromise nearly every belief they hold dear. 

And in the end, they discover that to save themselves, they must first rescue an old friend who deceived them.

If he’ll let them.

As with When Camels Fly before it, The Brothers Keepers is all about doing the right thing. Because sometimes, doing what’s right is all that’s left.


A member of the venerable Explorers Club, NLB Horton returned to writing fiction after an award-winning career in marketing and a graduate degree from Dallas Theological Seminary. She has surveyed archaeological digs under Syrian and Lebanese heavy artillery fire in Israel and Jordan, explored the Amazon River and Machu Picchu after training with an Incan shaman, and consumed tea on five continents—and while crossing the North Atlantic.

http://nlbhorton.com
https://www.facebook.com/pages/NLB-Horton/289059931145461

https://twitter.com/NLBHorton

Tuesday, November 25, 2014

I love a good retelling, so much so that my entire series, The Courtships of Lancaster County, is inspired by four of Shakespeare’s plays. Becoming Bea, inspired by Much Ado About Nothing and the fourth in the series, releases this month. 

Did I have any qualms about writing retellings? Not at all! 

Shakespeare’s plays were all inspired by other stories. In fact, I’ve read that most of Western art originates from either the Bible or Greek myths. Shakespeare was no exception. The first written story of the ill-fated lovers who later became Romeo and Juliet goes back to 8 AD when Ovid penned the tale in his Metamorphoses, written in Latin.  The oral story, however, goes back to the Greeks. 

Retellings are as old as time. I compiled the following list of a few modern day ones, both in film and novels.

  1. 10 Things I Hate About You (film) (The Taming of the Shrew)
  2. Adoring Addie by Leslie Gould (novel) (Romeo and Juliet)*
  3. Becoming Bea by Leslie Gould (novel) (Much Ado About Nothing)*
  4. Brave New Girl by Louisa Luna (novel) (The Tempest)
  5. Clueless (film) (Emma by Jane Austen)
  6. Courting Cate by Leslie Gould (novel) (The Taming of the Shrew)*
  7. Easy A (film) (The Scarlett Letter by Nathaniel Hawthorne)
  8. Ever After (film) (Cinderella)
  9. Judge by R.H. Larson (novel) (Jonah)*
  10. The Fairest Beauty by Melanie Dickerson (novel) (Snow White)*
  11. The Lion King (film) (Hamlet)
  12. Love Amid the Ashes by Mesu Andrews (novel) (Job)*
  13. Love in a Broken Vessel by Mesu Andrews (novel) (Hosea)*
  14. Loves Sacred Song by Mesu Andrews (novel) (Solomon)*
  15. March by Geraldine Brooks (novel) (Little Women by Louisa May Alcott)
  16. The Merchant’s Daughter by Melanie Dickerson (novel) (Beauty and the Beast)*
  17. Minding Molly by Leslie Gould (novel)  (A Midsummer Night’s Dream)*
  18. My Fair Lady (film) (Pygmalion)
  19. O Brother Where Art Thou (film) (Odyssey)
  20. The Proposal (film) (Pygmalion) (The Taming of the Shrew)
  21. Scotland, PA (film) (Pygmalion) (Macbeth) 
  22. She’s the Man (film) (Pygmalion) (Twelfth Night)
  23. A Simple Twist of Fate (film) (Pygmalion) (Silas Marner by George Eliot)
  24. Redeeming Love by Francine Rivers (novel) (Hosea)*
  25. A Thousand Acres by Jane Smiley (novel) (King Lear)
  26. Till We Have Faces by C.S. Lewis (Greek Myth of Cupid and Psyche)
  27. Warm Bodies (film) (Pygmalion) (Romeo and Juliet)
  28. Westside Story (film) (Pygmalion) (Romeo and Juliet)
  29. Wicked: The Life and Times of the Wicked Witch of the West by Gregory Maguire (novel and Broadway play) (Oz by L. Frank Baum)
*contemporary inspirational market


I’d love to hear your favorite retellings! Please leave a comment below. 

Leslie Gould is the #1 bestselling and Christy Award winning author of 19 novels. She and her husband, Peter, live in Portland, Oregon and are the revolving-door parents of four children and the owners of three cats. Leslie loves researching church history, seeing Shakespeare plays, and traveling with her hubby, mainly on research trips. Find out more at www.lesliegould.com. 

Links:



Tuesday, October 21, 2014

Is there anything more painful for an author than to hit the ‘Delete’ button?  We’ve given life to our characters, created scenes that we know are perfect, and bled onto the pages.  How in the world can an editor see what we can’t and insist that some pages—maybe even entire scenes—need to go? The horror.

But if you’re in the game long enough, it will eventually happen.  My latest release, The Promise, was a literary endeavor that was way out of the box for me, and as such, my editor set the bar really high.  I was crossing genres, and she wanted a really tight story that popped on every page.  But I initially had a mental block while writing the book.

The Promise is inspired by a true story, and I knew that once my character got on a plane to head to Pakistan, all of the real-life events would come hurdling back at me, taking me back to a time that was painful and scary.  So, I prolonged putting my character on the plane.  Instead, I sent a secondary character cross-country, filled the pages with a bit of fluff, and basically wrote about a hundred pages that didn’t help to further the story, but caused it do drag.  In the end, it was delete, delete, delete.  

So, is there an upside when this happens?  At the time, it’s hard to see one.  But looking back, there was a silver lining.  Perhaps the reader didn’t need those hundred pages, but I did.  It was an opportunity to get to know my characters.   In that regard, I can’t consider it wasted time and effort.  

Have you ever written a letter and not sent it?  Maybe it was just for you, a way to vent, part of a healing process, or an incentive to forgive.  Sometimes, deleted scenes end up in the same ‘File 13’ as other projects that weren’t really for anyone else’s benefit, except our own.  

In the scene that never made it into The Promise, I felt like I was sitting in the backseat while my character drove to New York City.  I learned a lot about him, his motivations, hopes, and dreams.  I was a silent player in my own book, watching and learning.  In hindsight, these tidbits weren’t anything that the reader needed to know, but the journey enabled me to incorporate the emotions my character was feeling through other ways that drove the story forward.  

At the end of that trip to New York City, Tate and I parted ways, and I returned to my computer to hit the delete button.  But, we had that time together, and I returned from the adventure with a much better understanding about who Tate really is.  

As authors, we must realize that even the deleted scenes serve a purpose.  As readers, we appreciate when an editor or author has gone the extra mile to keep any unnecessary filler out of the book.

As a reader, how many times have you skimmed sections of books that really should have been deleted or shortened?  And author friends, as painful as the deleting process is, has it benefitted you in ways that I mentioned?



Beth Wiseman is the best-selling author of the Daughters of the Promise series and the Land of Canaan series.  Wiseman has a deep affection for the Amish and their simpler way of life, and while she plans to continue writing Amish love stories, she is also branching out into other areas. In her daring new novel, Wiseman jumps way outside the box. The Promise will take readers far away from Amish country and the small Texas towns of her previous releases to a dangerous place on the other side of the world.  Inspired by actual events, Wiseman believes this is the book she’s been working toward for a long time.  


Wiseman can be found at Fans of Beth Wiseman on Facebook where she interacts with readers. Learn more about the author and her books at bethwiseman.com and on Twitter (@bethwiseman).

Wednesday, September 24, 2014


click to buy from your choice of platform/storeSarah Sundin’s World War II historical romance, In Perfect Time, is the final novel in the Wings of the Nightingale series.  Sarah expertly uses her talents to draw the reader into the World War II era with her penchant for detail. She manages to provide (in her words) “drama, daring and romance” into her books. Sarah skillfully weaves her story of the flight nurses efforts as well as the pilots who risked their lives to transport between Italy and southern France evacuating wounded and delivering supplies to hospitals.  She centers her story around the lives of two main characters: Army Air Force flight nurse Kay Johnson and C-47 pilot Roger Cooper.
Beautiful flirtatious Lt. Kay Johnson, driven by her memories of her father’s condescending words that she was unworthy of any love even from God, “he called her irredeemable”, collects men’s hearts across the European airfields. Kay is a good flight nurse and wants to pursue her career by attending the chief nursing school before the war ends, but her loose reputation as well as her inability to unify her group of six flight nurses could hinder her chances at being selected as a candidate.
Handsome daring pilot Lt. Roger Cooper, a musician at heart, dreams of making it big as a drummer in a Big Band after the war, but until that time he continues to fly C-47 planes flying the wounded, paratroopers, and supplies across Europe. Having given up his past life of being bad boy when he got saved, he is known as “preacher man” as he carries his Bible with him even on his flights. But his reputation for being “late all the time, writing sloppy reports, and pulling pranks on other pilots” doesn’t sit well with his squadron commander Major Bill Veerman, brother to Big Band Leader Hank Veerman. Roger determines to prove himself reliable, to gain the respect from his squadron commander and to receive a possible recommendation for a rehearsal with Veerman’s band in the states.
As Kay and Roger find themselves working side by side in their efforts to evacuate the wounded to safety, their relationship slowly develops. When Kay comes on strong to Roger, although captivated by Nurse Johnson, he avoids her advances, knowing her reputation of loving and leaving; although he can’t deny the respect he has for her skills and capabilities as an excellent flight nurse. 

I would very much recommend this book. It was very entertaining and informative of the WWII era. The plot was very well developed and kept me reading to the end. Future readings will most likely include her other novels prior to In Perfect Time.

Tuesday, September 16, 2014

Contrary to popular belief, backstory is a good thing. Now, before y'all call for a lynching party, let me tell you what it' good for and what it's not good for. After all, backstory helps you, the author know your character. What makes her tick? What formed her worldview? Why does he dislike women who have a good business head? 

Let's get the "not" out of the way first. The reader does not need to know the backstory of your characters to understand the plot—at least not in the beginning. A bit of mystery about the character is a good thing. It draws the reader onward to find out why this otherwise nice guy is so antagonistic to the heroine.

I always tell new writers to think of it this way. You're attending a party, and you host introduces you to a new neighbor. You start off the conversation by telling her your life history, and the new neighbor will be in jeopardy of whiplash, looking for the host to rescue her. 

Readers who are bombarded with backstory in the first few chapters of a novel with either ski over it or close the book for good. Either way, your time has been wasted by putting it in.

Now, let's look at what backstory is good for and how to discover it. First, I conduct a character interview (CI). Think of that as a journalist interviewing a subject for an article. In my CI, I dig and prod for the character's secrets and for his or her fears. What happened in their childhood that had a major effect of them?

After I've completed the CI, I write a stream of consciousness (SOC) backstory. This is where I go back two or more generations. People are the product of their ancestors' worldview. For example, let's say your great grandparents lived through the Great Depression. They probably could get more for a quarter than anyone you know. They taught your grandparents, who taught your parents. But did your parents continue that trait or did they, because of their more affluent status, break away from it?

It's within the SOC backstory where I discover so much about my character. Besides their worldview, I learn the lie they believe about themselves, and that lie will color their motivation, and that motivation will drive their plotline. 

In my debut novel, Chapel Springs Revival, my secondary lead, Patsy, comes from a loving home. Her mother is a well-known artist and her father a country doctor. She grew up without them around a lot. One might think her lie is that she's unloved, but that wasn't it. Patsy believes she's helpless – powerless to fix things. In her own life, she falls victim to it by ignoring problems. If she doesn't acknowledge it, it doesn't exist. 

Your characters will either fall victim to their lie or they will try to prove it wrong. Remember, the key is: Lie drives motivation drives plotline.

Much of what I learn never makes it into the manuscript, but if makes the characters come alive. They're three-dimensional and when they are real to you, the author, they become real to the reader. 

One of my beta readers said after reading Chapel Springs Revival, "I love the people. I want to find out more about their lives."


And that's the goal for backstory. 

While a large, floppy straw hat is her favorite, Ane has worn many different ones: hairdresser, legislative affairs director (that's a fancy name for a lobbyist), drama director, multi-published playwright, humor columnist, and novelist. Her lifetime experience provides a plethora of fodder for her Southern-fried fiction (try saying that three times fast). She firmly believes coffee and chocolate are two of the four major food groups. President of the award-winning literary site, Novel Rocket, Ane resides in Suwanee, GA, with her artist husband, her chef son, and two very large dogs. Her debut book, Chapel Springs Revival released Sept 8th.


Monday, August 25, 2014

I didn’t think I could write. 
Not fiction at any rate. Over the course of several years, I discovered I could write nonfiction. I’d successfully written and illustrated several how-to drawing books. When I visited the publisher, North Light Media, my editor said I had a great voice. I grinned, thanked her, and asked, “what’s ‘voice’?” 
I decided to write a non-fiction book about signs of deception from a Biblical perspective. As a forensic artist and law enforcement instructor, I experienced and studied deception displayed by certain ‘victims’ of crime. Each chapter started with an illustration from my forensic work: a young man who claims to have been attacked by a ninja, a bank robbery case where the robber was the bank teller, a killer who murdered his wife and said it was two other men. I had great stories. But … I needed to fictionalize them. I discovered it wasn’t that hard.
I pondered the ease of working in fiction. I also thought about my childhood. I grew up, and still live, on a 685 acre ranch in the mountains of North Idaho. We had a lot of horses. Every chance I had, I would gallop madly through the woods on horseback imagining I was a French resistance fighter pursued by Germans, or Velvet Brown about to win the Grand National, or an early pioneer chased by an irate Cheyanne war party. I could be very creative in inventing reasons to roam through the woods on horseback.
So maybe I wasn’t so unimaginative…and I loved to read…I did write poetry in college…so what’s so hard about writing a novel?
Boy howdy, was I in for a learning curve! Show, not tell. Passive language. Plot points. No tension. Thin characters. You name it, I had to learn it. I really believed I was writing well. And I had an awesome mentor: NY Times best-selling author, Frank Peretti. But I was blind to the errors in my writing.  I finally decided to study each writing point I should be doing automatically and study it until it was second nature. This took years. Ten to be exact. In between I suffered discouragement, tears, and occasional moments of above average writing. 
The payoff finally came. Terry Burns of Hartline agency signed me a day after reading my finished manuscript. Thomas Nelson expressed interest twenty-seven minutes after receiving a book proposal. Five out of eight publishers receiving the proposal wanted the full, with two major publishers vying for publication rights in a three book deal at auction. Pretty heady stuff. 
So, let me share some hard-learned advice: keep writing. There are only two types of writers: those who have been discouraged, and those who will be discouraged. Listen to other writers who tell you what you need to hear, not what you want to hear. Keep growing and learning. Everyone starts down that long journey to publication the same way. And God Bless.


Carrie Stuart Parks is an award-winning fine artist and internationally known forensic artist. She teaches forensic art courses to law enforcement professionals and is the author/illustrator of numerous books on drawing. Carrie began to write fiction while battling breast cancer and was mentored by New York Times best-selling author Frank Peretti. Now in remission, she continues to encourage other women struggling with cancer. 

Tuesday, July 1, 2014

I’m so thrilled to have the opportunity to introduce my new book, A Mother’s Secret, on the Borrowed Book Blog.  This book is the second in my Hearts of Lancaster Grand Hotel series and is set to release June 3. A Mother’s Secret releases one year after book one, which was A Hopeful Heart. 

In book one, Hannah Glick, a recent widow, finds herself stuck at a crossroad in her life. Her community offers her love and support, but a new friend offers her the chance of a new life after unexpectedly losing her husband. Wealthy businessman Trey Peterson is surprised at his attraction for the gentle Amish woman who works as a housekeeper in the Lancaster Grand hotel where he is staying. They share a common bond of loss and are able to offer each other comfort and support as they journey through their grief. Joshua Glick wants nothing more than to offer his friendship and love to Hannah and her family. Not only is he her husband's brother and business partner in their shared horse business, he has always been in love with Hannah. Are they destined to be only business partners or will Joshua be able to convince her that they belong together for life?

The Hearts of the Lancaster Grand Hotel series was inspired during the Amish Country Holiday Book Tour in November 2011. During the tour, Vannetta Chapman, Shelley Shepard Gray, and I stayed at the Berlin Grand Hotel. Alicia Mey, Senior Marketing Director for Zondervan, was impressed with the hotel, and she pitched the idea of using a fictional hotel in Lancaster, Pennsylvania, as the setting for my new series. She suggested I create a series about Amish women who work in at fictional upscale hotel. She was intrigued with the idea of the Amish and "English" (non-Amish) clashing in such a unique environment. Her idea turned into the series, and I'm so thankful for Alicia's idea that I dedicated A Hopeful Heart to her.

I enjoyed writing A Hopeful Heart and juxtaposing the Amish and English life through the hotel. Throughout the series, the women who are the main characters work in the fictional hotel. I have to admit that A Mother’s Secret is my favorite book in the series. Carolyn Lapp, the heroine of the book, is different from the other Amish women I’ve featured in my previous books. Due to her painful past, she’s more outspoken and less traditional than any other Amish character I have created. I also enjoyed giving Joshua Glick his own story since he had his heart broken in A Hopeful Heart.

In A Mother's Secret, Carolyn Lapp dreams of marrying for love. But will the errors of her past destroy this dream forever? Carolyn Lapp longs to have a traditional Amish family. But she lives on her brother's farm with her parents and her 15-year old son, Benjamin. Carolyn has never revealed the identity of Benjamin's father and lives daily with the guilt and shame of her youthful indiscretion. Her brother simply will not forgive her. His answer is to arrange a practical marriage for Carolyn to Saul, a widower with a little girl. But Carolyn isn't convinced that Saul really loves her and believes he is simply looking for someone to help raise his daughter. When Benjamin causes trouble at a local horse auction, horse breeder Joshua Glick decides that he must be taught a lesson. Carolyn and Joshua are unmistakably drawn to each other, but Joshua mistakenly assumes that Benjamin is Carolyn's brother. Carolyn fears that if he discovers the truth, her past will destroy their budding romance. After years of shame and loneliness, Carolyn suddenly has two men vying for her attention. But which of them will give her the family---and the unconditional love---she's longed for?

A Mother's Secret was inspired while I was writing A Hopeful Heart. I felt Joshua Glick needed his own story after he had his heart broken in the first book. I really like Joshua’s character, and I enjoyed telling his story. This book is dedicated to my amazing editor and dear friend, Becky Philpott. She’s been a tremendous support to me with my books. I’m grateful for her friendship and her guidance with my books.

I hope readers enjoy A Mother’s Secret. Book three in the series, A Dream of Home, will follow in December and will feature Madeleine Miller, another housekeeper who works at the Lancaster Grand Hotel.



Amy Clipston is the award-winning and best-selling author of the Kauffman Amish Bakery series. Her novels have hit multiple best-seller lists including CBD, CBA, and ECPA. Amy holds a degree in communication from Virginia Wesleyan College and works full-time for the City of Charlotte, NC. She is a member of the Authors Guild, American Christian Fiction Writers, and Romance Writers of America. Amy lives in North Carolina with her husband, two sons, and four spoiled rotten cats. Visit her online at www.amyclipston.com Facebook: AmyClipstonBooks Twitter: @AmyClipston

Tuesday, June 3, 2014

I don’t keep it a secret, but besides writing fiction, I also write about things that aren’t make-believe stories about the imaginary characters in my head. 

I write about living, breathing characters. I’m a freelance reporter for my city newspaper and I’ve been doing it for over four years now. What began as answering a simple ad in the paper looking for writers has opened a door, window, or what have you to a local world I didn’t even know about. 

Or, care much about until I knew more. 

Two years into reporting, the newspaper publishers asked if I’d write a weekly column. 

“What does it have to be about?” I asked. 

“Anything you want,” was the reply. And so, in May 2012, “My Front Porch” began. That’s when I get to give my opinion, something I can’t insert into a news story, no matter how much I’d like to sometimes.

One thing I’ve learned in being a reporter is that someone, somewhere cares about the person or event I’m writing about. In any given week, I can be reporting about the city council, the school board, interviewing an interesting local person for a feature article, showing up at an accident or crime scene, or covering a school program or a bake sale. 
Among my favorite interviews was interviewing a Pearl Harbor survivor who lives in our city, and getting his firsthand perspective on something that’s followed him since he was a 20-year-old soldier stationed in Hawaii.

Another interview special to me was listening to my mayor, who watched our central Texas community grow from a population of 300 when he graduated high school—to over 30,000 residents—more than 100 times the size he once knew.

I’ve interviewed politicians (who always like to talk), met the governor of Texas, rubbed elbows with Congressmen, crashed an Election night after-party, and I’ve interviewed not one, but two NFL players. The limelight is indeed bright and intoxicating if you stand long enough in its glow, and sometimes it’s tempting to name-drop.

My heart broke when I followed the story of a 10-year-old girl who learned she had terminal cancer. I covered her story from fundraisers, to her final arrangements and the family’s efforts to pay for her burial.  

I interviewed a woman in our city who finished a mere three minutes before the bombs exploded at the 2013 Boston 
Marathon; it brought the tragedy even closer to home. 

Another thing I’ve learned in being a reporter is no town is too small to have real news, that all of us have an important story to share. When we stop caring about stories—well, I couldn’t imagine anyone not caring about stories anymore, the real news unfolding in our communities, country and world, or the stories some of us make up because we can’t help NOT making up stories. 

So even if you live somewhere you think is quite ordinary, I hope you’ll take a moment and look around you. Get to know your city, really know it. Not just your church and your favorite restaurant and local market. You might be surprised at the treasure trove you find, and if you’re a writer, you’ll find even more characters start clamoring for your attention in your imagination. 


Lynette Sowell is the award-winning novelist of more than fifteen titles. When she’s not writing fiction, Lynette works covering local news for the Copperas Cove Leader-Press, where she also writes a weekly column called My Front Porch. She enjoys reading, cooking, watching movies and is always up for a Texas road trip. Lynette was born in Massachusetts, raised on the eastern shore of Maryland, but makes her home in Copperas Cove, Texas, with her husband, along with a spoiled Texas heeler and a pair of cats who have them all well-trained.


Tuesday, May 6, 2014


A few weeks ago, another author asked me if I had a story to tell about the role dreaming plays in a writer’s career. Do we keep pursuing a writing dream no matter what? Is dreaming for dreamers only, or is it part of a writer’s toolbox? 

Like many aspiring writers, I had a dream agency and a dream agent in mind years ago. I’d watched the way the agent conducted herself at conferences, in business settings, and in social settings. Her responses to questions on agent panels were always from a perspective that positively dripped with wisdom and grace. But her client list was full—the bane of many an excellent agent. I waited…and watched other agents. But the dream for that particular agent and working within the highly desirable community of that agency wouldn’t go away. 

For our 35th wedding anniversary trip, my husband chose Alaska. I wanted to vacation in the tropics. When I discovered a writers’ conference connected with an Alaskan cruise, it seemed to symbolize 35 years of marital compromise! I didn’t know at the time we registered that my dream agent was celebrating her 35th anniversary on that same cruise.

The agent and her husband were not onboard for the conference. They were true tourists. But she graciously agreed to take a handful of appointments one afternoon. She listened to my pitch and said something like, “Interesting. Now, let’s see if you can write.” Her client list was still full, but she invited me to submit a proposal.

A year later (2008) she still had no openings. I prepared to attend the annual ACFW (American Christian Fiction Writers) conference, wondering if it was time to give up my dream agent. Was God asking me to pursue another path? I wondered if He was even asking me to lay down the idea of writing fiction at all. I’d been working at it seriously for six years with no book to show for it. I told Him, as sincerely as I could, “Lord, if this pursuit isn’t from You, I will set it aside.” 

It seemed a moot point if I was about to turn away from fiction to other writing interests, but I emailed my dream agent and said, “I need to know if there’s any hope of signing with you so I know how to direct my energies at the conference.”

Her response? She called me to say, “I don’t know what to do with you.” It’s not exactly what I hoped to hear, but it wasn’t “No.”

She may not remember the conversation, but I recall every word. “You’re a good writer, but I promised myself I wouldn’t take on any more unpublished novelists. Go to the conference and look for another agent. If no one snatches you up”—I chuckled at that line, too—”call me after the first of January and we’ll see if I’ve had any client slots free up.”

I knew I had to be obedient to God and do due diligence. So I requested an agent appointment and an editor appointment at the conference. The agent appointment went so horribly, I was certain God was directing me to give up fiction forever. But I danced out of that appointment because I knew I’d just been shown who I shouldn’t work with as my agent. 

The editor appointment went shockingly well. Goosebump well. I had a request for the proposal. The dream stirred. What if God didn’t want me to lay aside the dream of fiction writing, but plunge deeper in? 

I sent the proposal (still wondering if I was days away from walking away from fiction), and within two hours received a response from the editor who asked for the whole manuscript. Within a month, the editor was taking the project to committee.

It seemed appropriate to call my dream agent and inform her about the development. Her words? “We’d better get you signed up then!”

My dream agent has become a dream friend and invaluable partner in this amazing journey. Days away from surrendering fiction, I signed my first contract. In May of 2014, my eighth book releases—All My Belongings, which received a starred review from Publishers Weekly—with three more novels contracted. “So far,” she said, dreamily.

Where do dreams fit in the life of a writer? For me, it seems God won’t let me pick it up and run with it unless I’m first willing to lay it down.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Cynthia Ruchti tells stories of Hope-that-glows-in-the-dark through her novels, novellas, devotions, nonfiction, and through speaking events for women and writers. Her novels have been recognized with honors from RT Reviewers’ Choice, Retailers’ Choice, Family Fiction Readers’ Choice, and others. Her debut novel was a 2010 Carol Award finalist. All My Belongings is her newest release, the story of a young woman who discovers a new life and new identity can’t protect her from a past that refuses to go away.  


Learn more about Cynthia Ruchti and her books at www.cynthiaruchti.com. Readers can also become a fan on Facebook (cynthiaruchtireaderpage) or follow her on Twitter (@cynthiaruchti).  

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