Thursday, June 10, 2010

{ chapter 1 }
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For seven years, Lexi Solomon had been as cold as the wind that raced down the mountain above her home. She was not ice-in-her-veins cold, or I’llfreeze-you-with-a-glance cold, but numb with the chill that came from being uncovered and abandoned.

Only the love of her daughter, a warm and innocent love that was so easy to return, had prevented her from dying of exposure.

At the back of the Red Rocks Bar and Grill, Lexi checked to make sure the rear stoop wasn’t icy, then exited and pulled the kitchen door closed. The blustery elements had spent decades huffing and puffing on the backside of the local haunt with nothing to show for the effort but a tattered awning and a battered screen door. The stalwart cinder block, painted to match the russet clay dirt that coated Crag’s Nest, was as stubborn as the snow that refused to melt before midsummer at this altitude. And it was only March.

At her throat Lexi clutched her ratty down jacket, the same one she had worn since high school, while she fumbled with the restaurant keys in her other gloveless hand. She’d forced her only pair of gloves into her daughter’s coat pockets that morning because Molly had lost hers coming home from school.

Which could only mean she hadn’t been wearing them. Chances were, Molly hadn’t worn the gloves today either. Well, she was only nine. Lexi smiled at that and thought she might get them back. If only she could be a kid again, oblivious to weather and wet.

Lexi shoved the key into the cheap lock and turned it easily. That hamburger grease coated everything. Above her head a yellow bug light shone over a cracked concrete slab. Her tired breath formed a cloud in the night air and then a fog on the wire-threaded glass of the door.

It was 2:13 a.m. Thirteen minutes later than Lexi usually locked up, thanks to the frozen computer that she had to reboot twice before she could close out the cash drawer and lock the day’s receipts in the safe. Thirteen minutes gone from the precious few she got to spend with Molly, curled up next to her in their one flimsy bed. Between Lexi’s two jobs and Molly’s school days, she figured they had an average of ninety-four minutes together, awake, per day. It wasn’t enough.

Lexi closed the restaurant every Monday, Thursday, and Friday night. Restaurant was too generous a word for the greasy spoon a half mile off the main tourist drag, too far off to draw many out-of-towners. But the staff was familylike enough, and the locals were loyal and tipped fair, and the extra fifty dollars she got for being the last to leave three times a week didn’t hurt.Every little bit put her and Molly that much closer to a better situation. A better home in a better part of town. A more reliable car. Warmer clothes.

Molly needed new shoes, and once Lexi got caught up on that past-due utility bill, she thought she’d have enough to buy the pair with sequins stitched onto the sides. Maybe for Molly’s birthday. She’d seen her daughter bent over a picture of the shoes in the Sunday circulars left out by their roommate, Gina.

After jiggling the locked kitchen door for good measure, Lexi turned her back on the glare of the naked bulb and headed toward her Volvo. The sturdy old thing was parked on the far side of the sprawling blacktop, fender nosing a swaying field of tall grasses, because that was where the only operating lamppost stood, and Lexi was no idiot when it came to vacant lots and late-night lockups.

The wind cut through her thin khaki pants, numbing her thighs.

She fingered the can of pepper spray on her key chain as she passed the shadowy Dumpster behind the kitchen. A large man could squeeze between it and the trash can’s cinder block cove easily enough. The dishwasher Jacob did this on his breaks to catch a smoke, because the manager wouldn’t tolerate cigarettes, not even outside.

A dark form darted out, leaping over the long shadow of her body cast by the gold light behind. She flinched, then scolded.

“Scat, Felix.” The resident alley cat carried something in his mouth. Lexi guessed a chicken bone, but it might have been a mouse. He jumped the wobbly wood-slat fence between the restaurant and the dry cleaner next door.

The grasses in the field, as tall as her shoulders, whispered secrets.

She stepped from the slab onto the asphalt lot. The spotlight over her dull silver Volvo, which tilted to the left due to a weak strut, went out for a second, then hiccupped back to life. It was only a matter of time before the lamp finally died, then weeks or months would probably pass before the property manager got around to resurrecting it. Each time she locked up, she found herself hoping the light would last one more night. She weighed whether she ought to start parking closer to the kitchen. Just in case.

Just in case what? Tara had been murdered in a bright shopping mall, in a bustling crowd. Maybe where a woman parked in the darkness of night didn’t matter as much as she hoped.

Lexi’s soft-soled shoes made an audible, squishy noise on the cold blacktop as she quickened her step, eyes sweeping the lot like some state-of-the-art scanner. Her keys sang a metallic song as they swung against the can of pepper spray. There was an extra can in the book bag slung over her shoulder. Another one in her glove box. A fourth buried in the planter outside her kitchen window at home, right by the front door. Lexi wondered for the millionth time how old Molly should be before starting to carry some in her backpack.

Glimpsing the dark glass of the car’s rear doors, she wished again that she had one of those key fobs that could turn on the interior lights from a cautious distance.

The parking lot light gasped again and this time faded to black. The steady yellow light behind her also flickered once and died, stranding Lexi in black air exactly halfway between the restaurant and car. She stopped. A second later, two at most, the light over the Volvo staggered back to relative brilliance.

She gasped. The thin air knifed her throat. The grasses had fallen silent, and the winds were as still as if God had stepped between them and the earth.

All four doors of her car were flung wide. Two seconds earlier they had been sealed shut, but now they gaped open like Lexi’s disbelieving mouth, popped open with the speed of a switchblade, with the flip of an invisible lever, the flick of an illusionist’s light.

A heavy hand came down on her shoulder from behind. Lexi yelped and whirled out from under the palm.

“Sexy Lexi.”

Her hand was at her throat, her pulse pounding through the layers of the thin jacket, her breathing too shallow for her to speak.

A slim white envelope fluttered between the restless fingers of the man’s left hand. A tattoo peeked out from under his T-shirt sleeve on the left, filling most of his upper arm. It was a set of keys, skeleton keys, hanging from a wide round ring.

He was middle-aged, sallow skinned, and his dark hair needed a trim. Oily strands flipped up in little curls that stuck out the bottom of a knit cap. The scrappy T-shirt looked thin across his narrow chest and sinewy arms, but he did not shiver in the low temperatures.

He said, “I half expected you’d be out of town after all these years.”

Lexi’s fright came off its startled high and settled into unease. She took a step back, glancing involuntarily at her car. Years ago, Warden Pavo had taken adolescent delight in pranks. She wondered how many people would have to be involved to pull off one like this.

“Why would I leave Crag’s Nest if I thought you’d never set foot here again, Ward?”

“Warden.”

“Yeah. I forgot.”

He smirked. “How’s the family?”

“Fine.”

“Your mom’s still globe-trotting?”

Lexi stared at him, finding his interest in her family new and strange, and perhaps offensive.

“Any improvement in dear old dad?” he asked.

“What do you want, Ward?”

“Warden.”

Lexi crossed her arms to hide their quivering.

“What?” he said. “I heard that your old man fell off the deep end, and I’ve been worried about you.”

“You’ve never worried about anyone but yourself. Besides, that happened years ago.”

“After that whole thing with your sister. What a tragedy. Man, I’m really sorry about that, you know.”

Ward removed a nylon lanyard from the pocket of his jeans. A small key chain weighted the end of it. Twirling the cord like a propeller blade, he wound it around his wrist, wrapping and unwrapping it.

Lexi looked away. “It’s behind us now,” she said.

“Is it? Von Ruden’s up for parole. I assume you heard.”

She hadn’t. A shiver shook her shoulders though the wind had not picked up again. Up for parole after only seven years. Norman Von Ruden had killed Tara, Lexi’s older sister. He knifed her in a food court at lunchtime during the Christmas rush, when there were so many people that no one noticed she’d been attacked until someone accidentally whacked her crumpled form with a shopping bag. After Tara’s funeral,
Lexi’s father raised the drawbridge of his mind and left her with her mother on the wrong side of the moat.

“Why is it that whenever you show up, I can expect bad news?”

“Aw, that’s not fair, Lexi. I’m only here to help you, as always.”

“One finger is too many to count the ways you’ve helped me.”

“Be nice.”

“I am. You could have helped me years ago by refusing to sell to Norm.”

“C’mon now. You know that’s not what happened.”

Lexi turned away and moved quickly toward her gaping Volvo.

Ward’s voice chased her. “Norm was Grant’s client, not mine.”

Lexi kept walking. Ward followed.

“If you blame anyone, gotta blame Grant.” Ward’s keys clanked together as they hit the inside of his wrist. “You can blame Grant for a whole lotta your problems.”

“I’d appreciate you not bringing Grant up,” she said.

It was true that Lexi’s husband had not paved the streets of her life with gold. The same year Tara was killed, Grant drove their only car out of town and never came back. Lexi, having no money to pay for a divorce, never received divorce papers from Grant either and sometimes wondered whether abandonment laws alone made their separation official.

Beyond that, she ’d managed to prevent her thoughts from chasing Grant too often. Only Molly was worth Lexi’s wholehearted concentration. For Molly’s sake, Lexi had made a vow to be more clearheaded than Grant ever was.

Lexi reached out and slammed the door behind the driver’s seat. The metal frame was warm to the touch, sun-baked without the sun. The unexpected sensation caused her to hesitate before she walked around the back to the other side and slammed the other rear door. It, too, was unnaturally heated. She wiped her palm on the seat of her pants.

“If that’s all you came to tell me, good night.”

“But it’s not.”

Ward stopped twirling the lanyard and stood at the driver’s door. She glanced at him across the roof of the Volvo and took new notice of the envelope he held and extended toward her.

“Picked up your mail for you.”

“How?”

“Intercepted the mailman.”

“Why?”

“Save you the trouble.”

“Seeing as it’s no trouble, please don’t do it again.”

“You really could be more grateful.”

She leaned against the car and lay her arm across the roof, gesturing that he give the envelope to her. He dangled it above her open palm. She snatched it out of his fingers.

“Thank you,” she said, hoping he would leave. She lifted the flap of her book bag, intending to cram the letter into the side.

“Open it.”

“I will, when I get home.”

“Now.” Ward’s keys cut the air on that whirling cord again. Rather than irritate her, the motion threatened. Those keys were weapons that could inflict serious pain if they hit her between the eyes with any momentum. She thought she saw them striking out at her and jerked back, then felt embarrassed.

“I read my mail without an audience.”

“Add a little excitement to your life. Do it differently tonight.”

“No.”

“It’s not a suggestion.”

Lexi closed the third door and made her way back around the rear of the car to where Ward was waiting. She focused on maintaining a confident voice. “Ward, it’s late. I’m going home. My daughter—”

“Molly. She’s all grown-up and fresh to be picked by now, isn’t she?” Heat rose up Lexi’s neck. “I saw her at the school today. They’re a bit lax over there about security, in my humble opinion.”

The tears that rushed to Lexi’s eyes were as hot and blinding as her anger. That level of offensiveness didn’t deserve a response. In two long strides she reached the open driver’s side door and, still holding the mystery letter, placed her left hand on the frame to balance her entry.

Ward’s lanyard snaked out and struck her wrist, knocking her hand off the door, which slammed shut. The paper fluttered to the ground. She stared at it stupidly, not comprehending what was happening.

He stooped to pick it up. “Read the letter, Lexi, then I’ll let you go home.”

Her wrist bone ached where the keys had struck it. She took a step away from Ward, then turned the letter over to read the return address. The envelope was from the office of a neighboring county’s district attorney. It quivered in her fingers. She held it under the light of the lamppost for several seconds. The beam flickered.

“The postmark on this is more than a month old,” she said.

“Yeah, well, I didn’t say I picked up your mail today.”

Her perspiring fingers were tacky and warped the linen stationery slightly. Lexi tapped the short side of the envelope on the roof of the Volvo, then tore a narrow strip off the opposite side and let the scrap fall to the ground. She withdrew a piece of heavy folded paper, then spread it flat on the hood.

She thought it was a notice of Norman Von Ruden’s parole hearing. She saw, at a glance, phrases like your right to participate and verbal or written testimony. But a red scrawl like a kindergartener gone crazy with a Sharpie obscured much of the text. A balloon poked by half a dozen arrows surrounded the date and time. Stick figures at the bottom of the page depicted a man coming out of an open jail cell, and a happy woman waiting for him.

Ward was breathing across Lexi’s ear. She felt his body too close behind
her.

“Isn’t that nice?” he said, pointing. “That’s Norm, and that’s you!”

Lexi looked at the backside of the envelope to see if he’d tampered with the letter but it was still securely sealed. He knew. How could he know? She pushed off the car and shoved him away from her, leaving the letter behind. She snapped at him so that he wouldn’t hear the fear she felt.

“You’re sick, Ward. I’m going home.”

“I’m entirely well, though I appreciate your concern. Aren’t you going to ask me what it means?”

“It means you haven’t changed one bit since the last time I saw you. I don’t have time for your pranks.”

She pulled the door open and dropped onto the seat without taking the book bag off her shoulder.

Ward picked up the letter and turned it over, holding it out to her. He propped his forearms on the open door and lowered the sheet, scrawled with another juvenile drawing, to her eye level. A red figure that looked like a child with x’s for eyes was visible through the glass door of an oven.

“No prank, Sexy Lexi.”

Lexi felt blood rush out of her head. She took a shallow breath and lowered her voice.

“Okay. What does it mean, Ward?”

“War-den. Warden. Get it right.”

There was no sarcasm in her voice now. “Warden. What does it mean?”

“That’s my girl. It means—if you love your daughter like I think you do—that you are going to show up at Norm’s hearing next Friday and testify on his behalf.”

“What? Why?”

“Because you love your daughter.”

“I can’t do that.”

“You can’t love her?”

“No! I can’t . . . Norman Von Ruden? He’s insane.”

“Not clinically.”

“Don’t do that. They diagnosed him with something.”

“Nothing a fine shrink and a few bottles of pills couldn’t handle.”

“No.” She shook her head. “No. I hate him.”

“You loved him once. I’ll wager there ’s still whore in you.”

Lexi lashed out, clawing the letter out of his hands and scratching the skin of his knuckles. His keys fell onto the blacktop.

“How dare you!”

Ward seized both her wrists easily and shoved her back down onto the seat of the car.

“He killed my sister! He wrecked my family! My parents—”

“Will be mourning the loss of little miss Molly as well if you don’t come to the party. So be wise about it, or I’ll tell your secrets to everyone you love—and plenty of people you don’t.”

“Why are you doing this?”

“Because you should have chosen me, Lexi. All those years ago, you chose Von Ruden. But you should have chosen me.” He crumpled the letter into a ball and tossed it across Lexi onto the passenger seat.

The light over the car died again. In the blackness, Lexi reached out and slammed the car door, punched down the manual lock, then contorted her body to hit the three remaining knobs in sequence.

“Save the date,” he said through the glass.

She willed the wind to carry his words away, but the air was as still as her dead sister, bleeding on the sticky tiles of the mall floor.
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Erin is giving away a copy of her book Never Let You Go. Be sure to stop by The Borrowed Book tomorrow for your chance to win!

Wednesday, June 9, 2010

Co-author of the bestselling novel Kiss (with author Ted Dekker), Erin Healy has joined forces with Dekker once again to present Burn (Thomas Nelson January 2010 978-1-59554-471-1 $24.99), a new supernatural thriller grappling with the good and evil natures that exist within all of us.

Healy is the owner of WordWright Editorial Services, where she has specialized in fiction book development for the past eight years. She is an award-winning editor of numerous bestselling novels, and has worked with popular authors such as such as Frank Peretti, James Scott Bell, Melody Carlson, Colleen Coble, L. B. Graham, Brandilyn Collins, Rene Gutteridge, Michelle McKinney Hammond, Robin Lee Hatcher, Denise Hildreth, Denise Hunter, Jane Kirkpatrick, Gilbert Morris, Lisa Samson, Randy Singer and Robert Whitlow.

Healy earned her bachelor’s degree in English with a minor in communication studies from Westmont College in Santa Barbara, Calif., and began her career as an editor for Christian Parenting Today during the mid-1990s. After advancing from assistant editor, to associate editor, to editor while working for the magazine, she moved on to serve as a book editor for WaterBrook Press. She founded WordWright Editorial Services in 2002.
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Healy began working for Dekker the same year, editing 12 of his well-known, heart-pounding stories, before collaborating with him as a co-author on Kiss. Her first novel, Kiss is the story of Shauna, who wakes from a coma to find she is responsible for a terrible accident that left her brother permanently disabled and her recent memories erased. She discovers she has a paranormal ability to steal memories from others, a capability that she uses to clear her name and find out what really caused the car accident.
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With Burn, Healy continues to bring her feminine voice to Dekker’s popular brand of supernatural thriller. The story of one woman’s ultimate betrayal of friends and family and the far-reaching consequences of her actions, Burn features overarching themes of good vs. evil, guilt and regret, and the grace of second chances. In May 2010, Healy will release her first stand-alone title as an author with Never Let You Go (Thomas Nelson), which melds elements of the supernatural and suspense with relational drama.
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Healy currently resides in Colorado Springs, Colo., with her husband, Tim, and two children. She is the director of the Academy of Christian Editors, as well as a member of International Thriller Writers and the American Christian Fiction Writers. Visit www.erinhealy.com for more information.

When did you decide to be a writer?

My first foray into writing involved coveting the talents of my second-grade best friend, who had more creativity than our entire class. I plagiarized a story she wrote and got a good grade for it, and my conscience haunted me. I begged her forgiveness and God’s, and they both were gracious. I repented by writing a short story about a character-flawed seagull who stole picnic lunches until he was redeemed by a cute scraggly dog. And here I am today.

At what point did you stop juggling suggestions and critiques and trust yourself (as a writer)?

I’m a full-time editor of full-length novels. I earn a living by offering critiques that call writers’ self-confidence into question. So I’m living in serious payback mode right now, taking it from the other side of the desk. Juggling suggestions and critiques comes with the territory and won’t be something I ever try to avoid. After writing three novels, I still believe the editor is almost always right.

Are you a disciplined writer or do you just write when you feel like it?

I’ve got two kids and a husband and a day job, so I can almost never write when I feel like it. That’s what makes me disciplined. During writing seasons, I strive to hit daily writing goals. If I don’t, the stress of failing to progress becomes unmanageable. People don’t like me when that happens.

What kind of activities to you like to do that help you relax and step away from your deadlines for a bit?

I walk the dog. I read very, very simple books to my toddler. I take hot showers and empty the water heater. I drink lots of coffee. And I try to do all those things every day.

How do you think reading the work of others helps you as a writer?

Reading is a constant reminder to me of all that I haven’t accomplished yet. There are wonderful models to aspire to, as well as examples from artists who have broken the models and done it well. In other words, reading inspires me. My editorial work has given me the additional perk of reading writers who are in process. The many opportunities I’ve had to see the evolution of creative work has helped me to loosen up as a writer. (But not as an editor.)

Tell us a little about your latest release:

Never Let You Go is a thriller with a good dose of the supernatural running through its center. It’s the story of a single mom, Lexi, who is trying to save her daughter from the men in her past: her estranged husband, her sister’s killer, and an unsavory old friend. These three re-enter her life in a strangely timed manner and begin making terrible demands that put Lexi’s child at risk.

Where did you get your inspiration for Never Let You Go?

This novel grew out of my observations about how difficult it is to forgive. Offenses are real; pain is real. Refusing to forgive often seems to be the most justifiable response to harm, because many of us also seem to think that unforgiveness itself isn’t harmful. But I’ve seen bitterness drip down through generations, affecting children in unfortunate, surprising ways.

Which character is most like you?

I identify most with Grant, Lexi’s estranged husband, who has really screwed up his life and relationships. Nothing about our circumstances are similar, but I relate to his longing to get things right for the people he loves, and how hard it is to correct certain kinds of mistakes.

Who is your favorite character and why?

Hard to say. I like Gina. She’s got a great attitude toward life in all its untidiness. She doesn’t take anything more seriously than it ought to be taken, which is something I’ve never been able to do. And she’s the one who has the answers to Lexi’s burning questions. I like having answers to life’s riddles. Wish I had more.

Did you know how Never Let You Go would turn out? Were you surprised by any of the plot twists or characters?

I have to confess I knew exactly where I was going with this one. My unknowns were in the story’s middle territory—how my characters were going to travel from A to Z. That became a process of discovery. My next novel, The Promises She Keeps, came about much differently. I had a starting point, but the end didn’t reveal itself until the very end. Seriously. Like, a month before the manuscript was due.

What is the main thing you hope readers remember from this story?

I hope the concrete images (spiritual warfare) that I tried to attach to abstract ideas (forgiveness and bitterness) will stick with people. I hope that the story paints a compelling picture of the beauty and power of letting go of old hurts, a picture that inspires people to actually do it.

What kinds of things have you done to market this book? Have you found anything that works particularly well?

Writing two books with Ted Dekker was highly effective. I recommend it.

Tell us what new projects you’re working on.

The Promises She Keeps (January 2011) is a supernatural thriller about the unlikely meeting of two women who want to live forever. Promise, a talented young vocalist with a terminal illness, is counting on fame to keep her memory alive after she dies. Porta is an aging witch and art collector in search of the goddess who will grant her immortality. When Promise inexplicably survives a series of freak accidents, Porta believes that Promise is the one she seeks. But Chase, an autistic artist who falls in love with Promise and opposes Porta, comes between the women with his mysterious visions and drawings, and plunges everyone into a flesh-and-blood confrontation over the true meaning of eternal life.
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Want more? Be sure to stop by The Borrowed Book on Thursday for an excerpt from Never Let You Go by Erin Healy!

Tuesday, June 8, 2010


Marriage Matters

Marriages today are deteriorating at an alarming rate: As of 2003, 43.7% of custodial mothers and 56.2% of custodial fathers were either separated or divorced (US Census Bureau). One might ask, “Why do so many marriages fail?” According to pastor and teacher Tony Evans, marriages deteriorate not because we no longer get along, but because we have lost sight of the purpose and prosperity of the marriage covenant.
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Marriage Matters examines the nature of this covenant, or agreement, we enter into on our wedding day. This booklet provides the foundation for the booklets For Married Women Only, as Evans looks to the Scriptures to define what a covenant is, who makes it, and what the implications are. Chaos arises when we seek to do things our way—the need to align ourselves according to biblical standards of marriage is evident. Let the practical and engaging Tony Evans lead you in knowing just how much…Marriage Matters.

For Married Men Only
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What does it mean for a husband to love his wife? Three things, says Tony Evans: a husband must be his wife’s savior, sanctifier, and satisfier. It is by living out these three principles that a godly marriage will blossom and flourish.

In For Married Men Only, each of these principles is explored and explained using real-life examples. How does a husband be his wife’s savior? By learning to love her as Christ loved the church. What about sanctifier? By dying to self and modeling sacrificial love, no matter what the result. And satisfier? By studying and serving his wife so he can fulfill her needs, just as Christ humbled Himself for our sakes.
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First published in 2002 as Tony Evans Speaks Out on a Man’s Role in the Home, this booklet has sold nearly 40,000 copies. Use it alone or with the companion volume, For Married Women Only.

For Married Women Only
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How is a wife to love her husband? By learning three things, says Tony Evans: how to submit, seduce, and surrender to her husband. Out of these three principles a godly marriage will grow.

In For Married Women Only, pastor and author Tony Evans explores these three principles in a straight-forward yet encouraging manner. He unpacks the touchy topic of submission and lays out the rewards inherent in this biblical model. On seduction, Evans looks at the quality of attractiveness and how embodying it can be pleasing to your spouse and to God. And with surrender, readers will examine why a wife is the perfect helpmate for her husband and how to combat attitudes opposed to God’s design.
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Originally published in 2002 as Tony Evans Speaks Out on a Woman’s Role in the Home, this booklet has sold nearly 38,000 copies. Use it alone or with the companion volume, For Married Men Only.

About the Author:

Dr. Tony Evans is one of the country’s most respected leaders in evangelical circles. The first African-American to graduate with a doctoral degree from Dallas Theological Seminary (DTS), he served as an associate professor in DTS’ Pastoral Ministries Department in the areas of evangelism, homiletics and black church studies. He continues to serve DTS on the Board of Incorporate Members.

Tony Evans, along with his wife, Lois, established Oak Cliff Bible Fellowship in 1976 with only ten people in their home. Serving as senior pastor for the last 33 years, Evans has seen his church grow from 10 members to over 8,000 congregants with 100 plus ministries.

Dr. Evans also serves as president of The Urban Alternative, a national ministry that seeks to bring about spiritual renewal in America through the church. His daily radio broadcast, The Alternative with Dr. Tony Evans, can be heard on more than 600 stations daily throughout the United States and in more than 40 countries.

Through his local church and national ministry, Dr. Evans has set in motion a Kingdom Agenda philosophy of ministry that teaches God’s comprehensive rule over every area of life as demonstrated through the individual, family, church and society.

Dr. Tony Evans is married to Lois, his wife and ministry partner of 40 years. They are the proud parents of four: Chrystal, Priscilla, Anthony, Jr., and Jonathan as well as proud grandparents of nine: Kariss, Jessica, Jackson, Jessie, Jr., Jerry Jr., Kanaan, Jude, Joel and Kelsey.
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Learn more about Tony at http://www.tonyevans.org.

Monday, June 7, 2010


Carla Stewart launched her writing career in 2002 when she earned the coveted honor of being invited to attend Guidepost's Writers Workshop in Rye, New York. Since then, her articles have appeared in Guideposts, Angels on Earth, Saddle Baron, and Blood and Thunder: Musings on the Art of Medicine.

More recently, Carla won two American Christian Fiction Writers (ACFW) Genesis contests: one in the Historical Fiction category in 2007 and in another for her Young Adult entry in 2008. Her writing reflects her passion for times gone by. She believes in Jesus, the power of the written word, and a good cup of coffee. She and her husband have four adult sons and delight in the adventures of their six grandchildren. CHASING LILACS is her debut novel.

When did you decide to be a writer?

First, I’d like to thank you, Lisa, for inviting me to your wonderful site. It’s such an honor to be on a site that features what I love most – BOOKS! I’ve always been a huge reader and dreamed of someday writing a book like those I loved to read, but I chose nursing and being a full-time mom over pursuing the dream. I waited until my youngest son was in high school before I made the commitment to write.

How long did you write before you sold your first book?

Almost eight years, and then of course, I had to wait another year and a half until the book actually came out.

Everyone’s journey to publication is different. Now that you’ve walked that road, what tips can you give to authors still hoping for that first contract?

Be realistic. It takes much longer than you think, but while you’re waiting, continue learning the craft. Go to conferences. Participate in writing groups. And simply keep writing.

Don’t be afraid of being unique and developing your voice. That is often what catches an agent or editor’s interest. You must believe in your story first for others to believe in it too.

Begin building your platform and getting your name out there by putting up a website or starting a blog. Social networking is a great way to build relationships, not as a way to promote yourself, but to make friends and share in one another’s lives.

Reach out. People remember others who appreciated them or made them feel good. Send thank-you notes or drop emails to those who’ve taken time to hear your pitches (agents and editors in particular) or those who’ve made you laugh or shared a gem of wisdom with you. By giving to others you pave the way to lasting relationships.

Last, commit yourself and your career to God and His timing. He wants the very best for you.

Was there something about the experience of getting published that was a surprise to you?

Every day has been a new surprise, but the best thing has been that I’m now part of a team. I am in this together with a whole array of people from my agent to my editor, the copy editors, and the design and marketing departments. That has been both a relief and an exciting part of getting published.

Are you a disciplined writer or do you just write when you feel like it?

I’m an empty-nester and have all day to myself so I write every day. Lately it’s been more in the marketing area, but I still try to squeeze in an hour or two to work on my next novel.

What kind of activities do you like to do that help you relax and step away from your deadlines for a bit?

I’m really not very good at stepping away, but I enjoy taking weekend trips with my husband to visit family (and in particular—our grandchildren) or short out-of-town adventures. Other times, I like to work in the yard, take my doxie for walks in the neighborhood, or go to concerts and stage productions here in Tulsa.

What is your favorite novel and what made it special?

Only one? I have so many, but probably my favorite in the last few years is Water for Elephants. I was totally caught up in the depression-era circus theme, yet equally concerned for the current day story. This has become one of my favorite types of novels – a story with two timelines and intersecting plots.

How do you think reading the work of others helps you as a writer?

Reading well-written books helps me learn about character development, pacing, and story arc and inspires me to be a better writer. By also reading a wide variety of authors, I’ve learned which ones I like and have developed my own writing style . . . which for me is succinct writing with a slight literary bent. What you read can’t help but filter into your writing, so I think it’s a good thing to strive to read above your own writing level and in other genres.

Tell us a little about your latest release:

Chasing Lilacs is a coming of age story set in Texas. In 1958, Elvis is on the radio and summer is in the air. Life should be simple and carefree. But not for twelve-year-old Sammie who has plenty of questions about her mother’s “nerve” problems. About shock treatments. About whether her mother loves her.

As her life careens out of control, Sammie has to choose who to trust with her deepest fears. Her best friend with an opinion about everything? The mysterious kid from California whose own troubles plague him? Or her round-faced neighbor with gentle advice and strong shoulders to cry on? Then, there’s the elderly widower who seems nice, but has his own dark past.

Trusting is one thing, but accepting the truth may be the hardest thing Sammie’s ever done.

Where did you get your inspiration for CHASING LILACS?

As a child of the 50s and 60s, I was always curious about those forbidden subjects people whispered about but were too polite to discuss, especially “nerve” problems and shock treatments. What would it have been like if a young girl’s mom had these problems? At the same time, I always wanted to write a story set in a tight knit petroleum camp like the one where I grew up. In 2004, I took a solo venture to the camp (which is now a ghost town). A few miles away, I saw the smokestacks on the horizon. My breaths quickened. A lump appeared in my throat. As I approached and later rambled over the vacant ground where my childhood home once stood, wonderful memories washed over me. I knew I’d found not only the setting for my story, but also the theme of the book—the power of community that shapes our lives.

Which character is most like you?

Goldie is a back yard neighbor to Sammie, the main character. She’s an ordinary woman who has a few miles on her, but she listens to Sammie, gives her sage advice, but doesn’t push her in one direction or another. I’d like to think I’m that kind of friend.

Who is your favorite character and why?

Slim Wallace is an older man, a little rugged. He’s known heartache, but he, too is one of Sammie’s mentors, and I just loved writing about him, the way he accepted Sammie and her friend, taught them play backgammon and loved them in his own homespun way.

Did you know how CHASING LILACS would turn out? Were you surprised by any of the plot twists or characters?

I knew how the story would end because I wanted it to come full circle and cover a year’s time, but I changed much of the interior of the story—the conflict, in particular, and the role of Sammie’s aunt who is the villain (villainess?). I also gave Sammie a fear and a special friend who helps her with that. When I did that, the story took on some new twists which were really fun to write. I was also surprised at how attached I got to Slim, the older man in Chasing Lilacs.

What is the main thing you hope readers remember from this story?

Since it’s nostalgic, I hope it brings back warm memories, but because of the plot, I want readers to remember that grief is a process and that sometimes help comes from unexpected people that God places in our lives. Life does go on, and joy truly does come in the morning.

I hope all of my readers find in Chasing Lilacs a small part of themselves that longs for childhood, for simpler times. A final sigh that as the book ends on a positive note, you’ll be glad you’ve taken a step back into another era.

What kinds of things have you done to market this book? Have you found anything that works particularly well?

This could take up a whole blog post. I have immersed myself in learning about marketing. It comes down to the fact that no matter what I do or don’t do, God is in control. I’ve also realized I can’t do everything and to just concentrate on one or two areas and try to do those well.

Website. Blog. Making friends and being a friend on FaceBook and Twitter (where I chose ChasingLilacs as my Twitter name. Paying attention to opportunities I see for guest posts on blogs and interviews.

Meeting people face to face or via book clubs was one of my goals. I’m currently on tap for four book signings (including two which are launch events in different locations), many blog appearances, and a few radio interviews. I’m truly hoping that people don’t grow sick of seeing my picture pop up on their computer screens 

I won’t know how successful my marketing attempts were until a few months after the book. I am pleased, though, with the “buzz” the book is getting and hope that translates into sales.

My ideal success would be that a reader would write and tell me how this book made her see the world in a new light or made her laugh or given her confidence . . . whatever takeaway she found in its pages.

Tell us what new projects you’re working on.

My second novel with FaithWords, Broken Wings, will come out in the summer of 2011. It has a strong nostalgic thread, but is the story of two woman in present-day Tulsa who become unlikely friends. Remember I told you I’m fond of stories with two distinct timelines? That’s what I’ve done with Broken Wings. I’m very excited about this book. I had a lot of fun writing it, and I think it has a depth and perspective that many people will relate to. And it’s sort of jazzy, too!

Do you have any parting words of advice?

Write what you love to read. Write every day. And don’t be afraid of being unique.

Places you can find Carla on the web:
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Carla is giving away a copy of her book Chasing Lilacs. Be sure to stop by The Borrowed Book on Friday for your chance to win!

Sunday, June 6, 2010

Max is a great comfort to me. As the wife of a shift-worker, I like having him around on the nights when my husband is gone. His sharp little ears are attentive to every sound, and I know I can rest assured with him standing watch. He warns me whenever a car pulls into the drive. His angry bark alerts us whenever a stranger approaches the door. He’s even started letting us know when the cows have escaped the pasture and are invading our yard.

His vigilance impressed me one day, when his low growl woke me from a sound sleep. I sat up in bed, listening. Nothing, and yet, Max persisted, so I rose to look. Outside, a full moon illuminated the landscape. Our shed stood out in stark relief against the night sky, and beyond it, deep in the woods, flames shot high into the air. I ran out onto the porch, clad only in my robe and slippers. Music and voices drifted to us from the bayou. Now and then, a gunshot pierced the darkness. I hurried inside and dialed the local sheriff’s office. Later, I learned a large group of people had been having a party by the water. One of them brought gun shells, and they took turns throwing them into the fire.

Why, I wondered, had God woken me from a deep slumber to witness such an event? And then I caught sight of Max seated at my heels. He stared up at me, eyes earnest, questioning. Watchful.

Do I watch with the same fervor as Max showed for the coming of the Lord as He commanded? Am I as ready, even in the dead of night, as Max was on this night?

I am learning to be.

Matthew 24:36-44 (New King James Version)

36 “But of that day and hour no one knows, not even the angels of heaven,[a] but My Father only. 37 But as the days of Noah were, so also will the coming of the Son of Man be. 38 For as in the days before the flood, they were eating and drinking, marrying and giving in marriage, until the day that Noah entered the ark, 39 and did not know until the flood came and took them all away, so also will the coming of the Son of Man be. 40 Then two men will be in the field: one will be taken and the other left. 41 Two women will be grinding at the mill: one will be taken and the other left. 42 Watch therefore, for you do not know what hour[b] your Lord is coming. 43 But know this, that if the master of the house had known what hour the thief would come, he would have watched and not allowed his house to be broken into. 44 Therefore you also be ready, for the Son of Man is coming at an hour you do not expect.

Saturday, June 5, 2010

It's always so much fun to give away great books!! Congratulations to this week's lucky winners:

Sandy Greathouse – I Know I’m Not Alone, Lord by Janice Hanna Thompson

Jackie Smith – Simple Secrets by Nancy Mehl

Winners of this week's books, please use the button in the upper right side of this page to email me with your mailing address so I can forward your information to the authors. Then, sit back and wait for your book to arrive.

Thank you all so much for stopping by The Borrowed Book and thank you Janice Hanna Thompson and Nancy Mehl for your generosity in providing books!

Friday, June 4, 2010

Entering our weekly drawing is easy:

1. Leave a comment on Fridays or...

2. Sign up to follow The Borrowed Book. Followers will automatically be entered for a chance to win that week's drawing!

This week, The Borrowed Book is giving away two great books:


I Know I'm Not Alone, Lord by Janice Thompson and Kathleen Y'Barbo ~ Find yourself in a season of singleness? Need some comfort, encouragement, and advice for this transition? Look no further than Turning Points for divorced women, an inspirational roadmap to help you find new direction, power, contentment, and joy! Written by “single-again” bestselling authors Kathleen Y’Barbo and Janice Hanna, this navigational guide is packed with proven pointers, successful strategies, and faith-filled concepts, as well as stories by women who have walked a mile in your shoes. Divorce is a detour, not the end of the road. So get ready for an amazing adventure!


Simple Secrets by Nancy Mehl ~ Gracie Temple's uncle left her a house in a rural Mennonite community. Gracie soon learns he secluded himself for years to protect a secret about her own father. Now it's up to Gracie to decide if she'll keep the secret or if she can afford to expose it. Sam Goodrich loves his fruit farm in Harmony, Kansas. But when he meets city-girl Gracie, he begins to wonder if he could leave it behind for a woman who makes him feel things he's never felt before. When someone tries to keep Gracie from discovering the truth behind the secrets, both must decide what's important in life--before it's too late.

Winners will be announced on Saturday, 06/5/10.

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