Showing posts with label Anita Higman. Show all posts
Showing posts with label Anita Higman. Show all posts

Tuesday, July 7, 2015



Anita Higman
For a single girl in her 30s who longs to be married, it can be easy to feel a little lost when all your princes keep turning into frogs. Anita Higman details the twists and turns, triumphs and failures, in one young woman's search for love in her new book, Summer's List (River North/June 1, 2015/ISBN: 978-0802412324/$14.99).

 Life hasn't been easy for Summer Snow. She spent what should have been her carefree 20s selflessly caring for her ailing parents and denied herself the dreams in her heart to run her grandmother's bookstore. And if you asked her, she would say she's mostly happy - but she knows she's missing something - and her grandmother's love doesn't fill that aching part of her heart that longs for love and romance.

Q: In three sentences or less, tell us about your new book. 

A young woman, Summer Snow is sent on an unexpected adventure with Martin Langtree, a kind but gangly young man from Summer's past. A childhood friendship is rekindled, a romance is sparked and mysteries are solved in one magical Texas summer.

Q: What is the main theme that runs through Summer's List? 

Forgiveness and reconciliation do not come naturally to mankind, but it's the only right way to live. It's the way Christ taught us to live.

Q: What was the inspiration behind the story? 

My answer isn't romantic. It's not literary sounding in any way. It's the kind of answer that lets you see behind the curtain. I hope it doesn't spoil any of the magic for you, but here's my answer. It's always been easy for me to create quirky characters but not so easy to create conflict that can keep going for 80,000 words. So I thought if a heroine had a list of things she was compelled to do - and the list was challenging and fun, with surprises along the way - that this concept could create enough plot and conflict to get me through to the end of a book. I'll let you decide if my idea worked or not!

Q: Your heroine, Summer Snow, is used to putting others' interests before her own. We are taught to serve others, but is there a point when selflessness can become damaging?

Yes. It could be that Summer's parents should have insisted she at least attend a local college so she could prepare for her future while she was watching over them. Even loving parents can make selfish decisions at times.

Q: Can you identify with Summer's search for love? 

Yes, before I met my husband I was sort of lost in love like Summer. But I was fortunate enough to find my husband without a life-list.

Q: Why do you think the number of people delaying marriage into their 30s and even beyond is growing? 

I don't know for sure, but my guess is they are frightened of commitment. The reason may be because the divorce rate has some pretty scary statistics attached to it. For some men and women, maybe it feels hopeless for a marriage to last a lifetime. But it is possible. My husband and I have been married 35 years. We don't have a perfect marriage, but we're committed to each other, and we love each other. If we were to fall out of love someday, I know our commitment would keep us safe until we could fall in love all over again. My advice is to love freely, forgive easily and invite God to be ever-present in your marriage.

Q: What expectations and social pressures are put upon single women in the church?

Perhaps they feel if they can't find Mr. Right, then they are somehow second-class women. That is, of course, not true. But people in the church need to be sensitive to those who do not marry. We should never exclude them or make them feel they are somehow unacceptable or unlovable if they remain single.

Q: Can it be dangerous for women to believe in the notion of a "soul mate" or one single person whom God has for you to find and marry?

Yes, I suppose it could be a dangerous mindset because when you get bored or angry with your spouse - which is very common in most marriages - then it's easy to think you've made a grave error in your choice and someone else was your true destiny and would make you happier. That kind of faulty thinking is an effective way to dismantle a marriage.

River North, 2015
Q: What is the best advice you have for someone who truly longs for marriage? 

Tell God the desires of your heart. He cares deeply for us. But in my opinion, it wouldn't be wrong to consider using a good Christian dating service. I know of a woman right now who is living her happily-ever-after because of one of these services.

Q: Summer's story is unique, as she completes the "bucket list" her Grandmother made for her. What are some other ways single women can connect with their purpose in life, despite their disappointments?

 Make a list of all the talents God has given you, and then go about using them for His glory. You'll find satisfaction and purpose in doing what you were created to do.

Q: Have you ever made a bucket list? How did it change your life? 

 I've not made a bucket list, but my husband and I have made a list of places we'd like to travel to before we journey to heaven. Some places left on that list are Israel, Greece and Norway. Can't wait!

Q: Why do God's plans for our lives often look so very different than our own?

Because we see through a glass darkly while we're here on earth. If we could see more as God does, we would have different plans. They would come closer to lining up with His ways, and there would be much less turmoil and disappointment.

Q: Summer manages a children's bookshop. Was there someone in your childhood who helped instill in you a love for literature? 

 My mother read fairytales to me when I was a little girl. Those stories had a profound effect on me. People have told me my novels read a little like modern fairytales. My husband and I are about to break ground on our retirement home. Can you guess what it is? It's a fairytale house in the woods. Stories stay with us for a lifetime!

Q: You are, in fact, very enthusiastic about promoting literacy and have even won awards for your efforts in that arena. Why is that such an important cause for you?

If people can't read, I'm out of business. But beyond that reasoning, I always hope all people are able to read and know the power of words. Imagine going a lifetime without reading Oliver Twist or Pride and Prejudice or the Bible!

Q: What is the number-one message you want your readers to receive from Summer's List?

My brand is "Stories with a soft landing because life is hard." I hope readers finish all my books with a lighter heart and a sense of joy and hope.

To keep up with Anita Higman, visit www.anitahigman.com become a fan on Facebook (AuthorAnitaHigman) or follow her on Twitter (@anitahigman).

Thursday, November 14, 2013

I have been a morning person my whole life. I’m up at 5:30 every weekday morning—sharp—and after I eat a breakfast of granola, Greek yogurt, and fresh berries, I usually have a short devotion time with my husband. This sets the right mood for the day and this also gives us the spiritual strength to deal with all the many tasks and problems that invariably come up during the course of an average workday.
            After my husband leaves for work, I go upstairs to my office to get started for the day. Once at my desk, I answer all my emails—which usually takes an hour or two—and then I occasionally allow myself a few minutes to read a few of my reviews.
Huge mistake.
I would not recommend this ritual, especially at the beginning of the day. If the reviews are gushy then you might get the idea that anything and everything you write will be like laying a nest of golden eggs. Even though reading the honeyed reviews can give you quite the swoony rush, it’s not an honest emotional place to be when you start on your manuscript. Why? You’ll get the feeling you no longer have to try so hard.
But.
If you read even one ugly review, well, those words will paralyze your spirit like a frog in frozen mud. You know I’m right. So, my advice? Start your day with prayer, not reviews.
If I’m working on a rough draft I try to meet a word-count target of about 2,000 words each day. When I hit my goal or nearly there, I can play for a bit, which means I’ll run errands or do some marketing work on my latest release.
            There are some days when I don’t get all my work done by the end of the day. When that happens, I don’t usually treat myself to a fun movie or the chance to settle into my cozy den and read one of my favorite authors, such as B.J. Hoff or Jenny B. Jones. It means I’ll have to tromp right back upstairs in the evening and write some more.
Needless to say, it takes a great deal of discipline to be writer. You have to show up every workday—bum securely fastened to the seat of the chair—no matter what. Even if you don’t feel awake or well or motivated.
Or alive.
So, I stay put in that chair even when that rosy halo called the muse isn’t glowing around my head. Yes, novel writing can be relentless, tedious effort. Can we say boring? But it can also be deeply satisfying. All the way to your soul. Especially when someone tells you that her life was changed for the better because she read one of your stories. It makes all the tedium, all the sacrifice, all the muscle aches and pains as well as the exhaustion, worthwhile.
            Okay, after I finish an evening of writing I head to bed about 9:30. Of course, by then the muse is heated up and is now as bright as a street lamp shining in your bedroom window—which means I’m not going to sleep. My imagination as well as my next-day ta-do list can’t turn itself off. So, after I’ve gone to bed, many times my husband will see me pop right back up again to write something down. After one or two or more of those rounds, I finally settle into slumber. Then, of course, my dreams take it from there. Rarely, though, have I dreamed scenes or concepts that I could use in one of my novels. That’s a shame, really, but I’ve heard other authors say that have incorporated pieces of their dream world into their books. I only wish that were the case for me.
Well, as you can tell, the life of a writer isn’t easy. The life of a writer doesn’t always include a good night’s sleep. But the life of a writer does mean they’ll be days—and sometimes nights—that will be filled with that inimitable and imaginative and miraculous thing called story!

Anita Higman is a CBA best-selling and award-winning author. Among her many accolades, Higman has won the Inspirational Reader’s Choice award twice. She has written or co-authored more than 30 books, including fiction and non-fiction for adults and children, as well as plays. Higman has also been recognized for her contributions to literacy and has raised thousands of dollars with her book I Can Be Anything while serving on the board of directors of Literacy Advance of Houston.

Even though she’s written in many genres, Higman does have her favorite. “I love inspirational romance. There’s just nothing else like it for writing and reading. It naturally makes you want to curl up on an overstuffed couch and read the day away.” Her latest release is A Marriage in Middlebury.

She loves good movies, exotic teas and brunch with her friends. Higman and her husband live in Houston, TX.

To keep up with Anita Higman, visit anitahigman.com, become a fan on Facebook (Author Anita Higman) or follow her on Twitter (@anitahigman).


Don't forget to stop by tomorrow, when you can enter to win a free copy of Anita's latest release, A Marriage in Middlebury!

Tuesday, November 12, 2013

Robert Louis Stevenson said, “There is but one art, to omit.” He obviously appreciated the power of polish. I call polishing powerful, because it has the ability to transform a rough draft into
something remarkable—something salable. After I complete a rough draft I go over it quite a few times, checking for problems, large and small. Here are 40 power-polishers from my personal list. 

  1. Did I sprinkle in backstory like a fine spice or did I dump the whole jar in at the beginning? 
  2. Do my characters have plenty of quirks and ticks like real people? 
  3. If I repeated words are they beautifully rhythmic or just annoyingly repetitious? 
  4. Is it clear which characters are talking, or will readers need to stop to figure it out? 
  5. If I altered anything midway—a character’s hair color, the season of the year, etc.—did I make those changes all the way through the manuscript? 
  6. Did I check each “was” and “were” as well as other potentially scrawny verbs? Do some of them need to be removed from the herd? 
  7. Is the word “that” used so much that readers will become so weary of that that they’ll want to use my novel for kindling? 
  8. Have I included literary devices such as sensory details, foreshadowing, irony, metaphors, and similes to give my story depth and delight? 
  9. Did I dip so randomly and deeply into the barrel of limp and colorless adjectives and adverbs that my prose came out hopelessly anemic?
  10. Are the elements of action, description, and dialogue balanced in my story? 
  11. Is my point of view consistent, or will I confuse readers by head-hopping? 
  12. Is the setting in each scene well-defined? 
  13. Are my characters unforgettable and believable, or are they one-dimensional and uninspiring because I haven’t spent enough time getting to know them? 
  14. Are my heroine and hero relatable and likable? Do they have enough noble and endearing qualities—along with their flaws—to make readers want to cheer them on? 
  15. Will readers know the year, the season, and the time of day easily, or are these story elements too vague? 
  16. Does my timeline have inconsistencies? 
  17. Did I vary the length of sentences in my paragraphs so they’re eye-appealing and easy to read? Are my paragraphs so long they’re like a wall of words in need of mental climbing gear? 
  18. How is my pacing? Is there a good rhythm to my storytelling? Are there passages I need to slow down or speed up for effect?
  19. Do I have too many summary paragraphs? Do some segments need to be revised so I’m showing and not telling? 
  20. Does my work have the fine brushstrokes of subtext dialogue?  
  21. If I’ve written in first person does it look like there was an “I” explosion all over the manuscript?
  22. If the professions and hobbies of the main characters are important to the story will the readers get a good look into this part of their lives? Was this material presented in a way that is organic to the story, and did I check the information for accuracy? 
  23. Is my dialogue realistic and interesting or mind-numbingly boring? 
  24. Do my characters have occasional and natural interruptions in their speech without being confusing?
  25. Have I taken out unnecessary words, such as some, began to, just, rather, and all at once?
  26. Does every scene have some element of suspense or conflict or intrigue? 
  27. Is each and every scene important to the overall plot, or have I padded the novel to up my word count? 
  28. Are some of my chapters too long?
  29. Do all my chapters end with cliffhangers?
  30. When my character presents a potent line of dialogue, do I use it later to make an arc that is memorable and effective? 
  31. Do I have a sagging middle that’s in need of a few tummy tucks of story tension? 
  32. Did I succumb to the temptations of authorial intrusion? 
  33. Do my characters make gestures that reflect their personalities, and are those gestures fresh and unique? Or are my characters engaged in too much shrugging, sighing, lip chewing, nodding, brow furrowing, arm crossing, throat clearing and head shaking?
  34. If I’ve added humor to my novel, does it fit the characters, and does it flow with the rest of the work? 
  35. Do the elements of faith happen naturally in the story, or did I toss in some prayer and Scripture to make it sound Christian? 
  36. Are the themes in my story memorable and effective? 
  37. Are the character’s thoughts interesting and necessary, or are they merely repeats of what the character is saying? 
  38. Do I have an overall story arc that is clear and memorable? 
  39. Did I create a satisfying ending, or is it too predictable and rushed because I’m tired of the story? 
  40. Have I read the work out loud to catch the errors that might be more obvious when heard rather than seen? 

I hope this mini version of my checklist is helpful in all your novel-polishing endeavors.

Anita Higman is a CBA best-selling and award-winning author. Among her many accolades, Higman has won the Inspirational Reader’s Choice award twice. She has written or co-authored more than 30 books, including fiction and non-fiction for adults and children, as well as plays. Higman has also been recognized for her contributions to literacy and has raised thousands of dollars with her book I Can Be Anything while serving on the board of directors of Literacy Advance of Houston.

Even though she’s written in many genres, Higman does have her favorite. “I love inspirational romance. There’s just nothing else like it for writing and reading. It naturally makes you want to curl up on an overstuffed couch and read the day away.” Her latest release is A Marriage in Middlebury

She loves good movies, exotic teas and brunch with her friends. Higman and her husband live in Houston, TX.


To keep up with Anita Higman, visit anitahigman.com, become a fan on Facebook (Author Anita Higman) or follow her on Twitter (@anitahigman).

Tuesday, December 18, 2012


Robert Louis Stevenson said, “There is but one art, to omit.” He obviously appreciated the power of polish. I call polishing powerful, because it has the ability to transform a rough draft into something remarkable—something salable. After I complete a rough draft I go over it quite a few times, checking for problems, large and small. Here are 40 power-polishers from my personal list. 

  1. Did I sprinkle in backstory like a fine spice or did I dump the whole jar in at the beginning? 
  2. Do my characters have plenty of quirks and ticks like real people? 
  3. If I repeated words are they beautifully rhythmic or just annoyingly repetitious? 
  4. Is it clear which characters are talking, or will readers need to stop to figure it out? 
  5. If I altered anything midway—a character’s hair color, the season of the year, etc.—did I make those changes all the way through the manuscript? 
  6. Did I check each “was” and “were” as well as other potentially scrawny verbs? Do some of them need to be removed from the herd? 
  7. Is the word “that” used so much that readers will become so weary of that that they’ll want to use my novel for kindling? 
  8. Have I included literary devices such as sensory details, foreshadowing, irony, metaphors, and similes to give my story depth and delight? 
  9. Did I dip so randomly and deeply into the barrel of limp and colorless adjectives and adverbs that my prose came out hopelessly anemic?
  10. Are the elements of action, description, and dialogue balanced in my story? 
  11. Is my point of view consistent, or will I confuse readers by head-hopping? 
  12. Is the setting in each scene well-defined? 
  13. Are my characters unforgettable and believable, or are they one-dimensional and uninspiring because I haven’t spent enough time getting to know them? 
  14. Are my heroine and hero relatable and likable? Do they have enough noble and endearing qualities—along with their flaws—to make readers want to cheer them on? 
  15. Will readers know the year, the season, and the time of day easily, or are these story elements too vague? 
  16. Does my timeline have inconsistencies? 
  17. Did I vary the length of sentences in my paragraphs so they’re eye-appealing and easy to read? Are my paragraphs so long they’re like a wall of words in need of mental climbing gear? 
  18. How is my pacing? Is there a good rhythm to my storytelling? Are there passages I need to slow down or speed up for effect?
  19. Do I have too many summary paragraphs? Do some segments need to be revised so I’m showing and not telling? 
  20. Does my work have the fine brushstrokes of subtext dialogue?  
  21. If I’ve written in first person does it look like there was an “I” explosion all over the manuscript?
  22. If the professions and hobbies of the main characters are important to the story will the readers get a good look into this part of their lives? Was this material presented in a way that is organic to the story, and did I check the information for accuracy? 
  23. Is my dialogue realistic and interesting or mind-numbingly boring? 
  24. Do my characters have occasional and natural interruptions in their speech without being confusing?
  25. Have I taken out unnecessary words, such as some, began to, just, rather, and all at once?
  26. Does every scene have some element of suspense or conflict or intrigue? 
  27. Is each and every scene important to the overall plot, or have I padded the novel to up my word count? 
  28. Are some of my chapters too long?
  29. Do all my chapters end with cliffhangers?
  30. When my character presents a potent line of dialogue, do I use it later to make an arc that is memorable and effective? 
  31. Do I have a sagging middle that’s in need of a few tummy tucks of story tension? 
  32. Did I succumb to the temptations of authorial intrusion? 
  33. Do my characters make gestures that reflect their personalities, and are those gestures fresh and unique? Or are my characters engaged in too much shrugging, sighing, lip chewing, nodding, brow furrowing, arm crossing, throat clearing and head shaking?
  34. If I’ve added humor to my novel, does it fit the characters, and does it flow with the rest of the work? 
  35. Do the elements of faith happen naturally in the story, or did I toss in some prayer and Scripture to make it sound Christian? 
  36. Are the themes in my story memorable and effective? 
  37. Are the character’s thoughts interesting and necessary, or are they merely repeats of what the character is saying? 
  38. Do I have an overall story arc that is clear and memorable? 
  39. Did I create a satisfying ending, or is it too predictable and rushed because I’m tired of the story? 
  40. Have I read the work out loud to catch the errors that might be more obvious when heard rather than seen? 

I hope this mini version of my checklist is helpful in all your novel-polishing endeavors.

CBA bestselling and award-winning author, Anita Higman, has over thirty books published (several coauthored) for adults and children. She’s been a Barnes & Noble “Author of the Month” for Houston and has a BA degree, combining speech communication, psychology, and art. Her latest books are A Merry Little Christmas (Guideposts/Summerside Press) and Where God Finds You (Standard Publishing). Anita loves good movies, exotic teas, and making brunch for her friends. Please visit her online at www.anitahigman.com

Anita's Reader Page link is:
 
 
Anita's Website:
 


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